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Zhao Mengfu ( Wade–Giles: Chao Meng-fu) was a prince and descendant of the Song Dynasty's imperial family, and a Chinese scholar, painter and calligrapher during the Yuan Dynasty.<br/><br/> He was married to Guan Daosheng, who was also an accomplished poet, painter and calligrapher. His rejection of the refined, gentle brushwork of his era in favour of the cruder style of the eighth century is considered to have brought about a revolution that created the modern Chinese landscape painting. He was known for his paintings of horses.
Zhao Mengfu ( Wade–Giles: Chao Meng-fu) was a prince and descendant of the Song Dynasty's imperial family, and a Chinese scholar, painter and calligrapher during the Yuan Dynasty.<br/><br/> He was married to Guan Daosheng, who was also an accomplished poet, painter and calligrapher. His rejection of the refined, gentle brushwork of his era in favour of the cruder style of the eighth century is considered to have brought about a revolution that created the modern Chinese landscape painting. He was known for his paintings of horses.
Zhao Mengfu ( Wade–Giles: Chao Meng-fu) was a prince and descendant of the Song Dynasty's imperial family, and a Chinese scholar, painter and calligrapher during the Yuan Dynasty.<br/><br/> He was married to Guan Daosheng, who was also an accomplished poet, painter and calligrapher. His rejection of the refined, gentle brushwork of his era in favour of the cruder style of the eighth century is considered to have brought about a revolution that created the modern Chinese landscape painting. He was known for his paintings of horses.
Zhao Mengfu ( Wade–Giles: Chao Meng-fu) was a prince and descendant of the Song Dynasty's imperial family, and a Chinese scholar, painter and calligrapher during the Yuan Dynasty.<br/><br/> He was married to Guan Daosheng, who was also an accomplished poet, painter and calligrapher. His rejection of the refined, gentle brushwork of his era in favour of the cruder style of the eighth century is considered to have brought about a revolution that created the modern Chinese landscape painting. He was known for his paintings of horses.
Zhao Mengfu ( Wade–Giles: Chao Meng-fu) was a prince and descendant of the Song Dynasty's imperial family, and a Chinese scholar, painter and calligrapher during the Yuan Dynasty.<br/><br/> He was married to Guan Daosheng, who was also an accomplished poet, painter and calligrapher. His rejection of the refined, gentle brushwork of his era in favour of the cruder style of the eighth century is considered to have brought about a revolution that created the modern Chinese landscape painting. He was known for his paintings of horses.
Zhao Mengfu ( Wade–Giles: Chao Meng-fu) was a prince and descendant of the Song Dynasty's imperial family, and a Chinese scholar, painter and calligrapher during the Yuan Dynasty.<br/><br/> He was married to Guan Daosheng, who was also an accomplished poet, painter and calligrapher. His rejection of the refined, gentle brushwork of his era in favour of the cruder style of the eighth century is considered to have brought about a revolution that created the modern Chinese landscape painting. He was known for his paintings of horses.
Zhao Mengfu ( Wade–Giles: Chao Meng-fu) was a prince and descendant of the Song Dynasty's imperial family, and a Chinese scholar, painter and calligrapher during the Yuan Dynasty.<br/><br/> He was married to Guan Daosheng, who was also an accomplished poet, painter and calligrapher. His rejection of the refined, gentle brushwork of his era in favour of the cruder style of the eighth century is considered to have brought about a revolution that created the modern Chinese landscape painting. He was known for his paintings of horses.
Zhuge Liang (CE 181-234) was Chancellor of Shu Han during the Three Kingdoms period of Chinese history. He is often recognised as the greatest and most accomplished strategist of his era. Often depicted wearing a robe and holding a fan made of crane feathers, Zhuge was not only an important military strategist and statesman; he was also an accomplished scholar and inventor.<br/><br/> His reputation as an intelligent and learned scholar grew even while he was living in relative seclusion, earning him the nickname Wolong (literally Crouching Dragon). Zhuge is an uncommon two-character compound family name. His name – even his surname alone – has become synonymous with intelligence and tactics in Chinese culture.
Zhuge Liang (CE 181-234) was Chancellor of Shu Han during the Three Kingdoms period of Chinese history. He is often recognised as the greatest and most accomplished strategist of his era. Often depicted wearing a robe and holding a fan made of crane feathers, Zhuge was not only an important military strategist and statesman; he was also an accomplished scholar and inventor.<br/><br/> His reputation as an intelligent and learned scholar grew even while he was living in relative seclusion, earning him the nickname Wolong (literally Crouching Dragon). Zhuge is an uncommon two-character compound family name. His name – even his surname alone – has become synonymous with intelligence and tactics in Chinese culture.
Zhao Mengfu (Wade–Giles: Chao Meng-fu) was a prince and descendant of the Song Dynasty's imperial family, and a Chinese scholar, painter and calligrapher during the Yuan Dynasty.<br/><br/> He was married to Guan Daosheng, who was also an accomplished poet, painter and calligrapher. His rejection of the refined, gentle brushwork of his era in favour of the cruder style of the eighth century is considered to have brought about a revolution that created the modern Chinese landscape painting. He was known for his paintings of horses.
Zhao Mengfu (simplified Chinese: 赵孟頫; traditional Chinese: 趙孟頫; pinyin: Zhào Mèngfǔ; Wade–Giles: Chao Meng-fu, 1254–1322) courtesy name Ziang (子昂), pseudonyms Songxue (松雪, 'Pine Snow'), Oubo (鸥波, 'Gull Waves'), and Shuijing-gong Dao-ren (水精宫道人, 'Master of the Crystal Palace'), was a prince and descendant of the Song Dynasty's imperial family, and a Chinese scholar, painter and calligrapher during the Yuan Dynasty.<br/><br/> He was recommended by the Censor-in-chief Cheng Jufu to pay an audience with Kublai Khan in 1286 at the Yuan capital of Dadu, but was not awarded an important position in office. His work was however, greatly appreciated later by the Confucian-inspired Yuan Emperor Renzong.<br/><br/>
The Heart Sutra is a member of the Perfection of Wisdom (Prajnaparamita) class of Mahayana Buddhist literature, and along with the Diamond Sutra, is the most prominent representative of the genre. The Essence of Wisdom Sutra (Heart Sūtra) is much shorter than the other Perfection of Wisdom sutras but it contains explicitly or implicitly the entire meaning of the longer Sutras. This sutra is classified by Edward Conze as belonging to the third of four periods in the development of the Perfection of Wisdom canon. Conze estimates the sutra's date of origin to be 350 CE. Recent scholarship is unable to verify any date earlier than the 7th century CE. The Chinese version is frequently chanted by the Chan (Zen/Seon/Thien) sects during ceremonies in China, Japan, Korea, and Vietnam respectively. It is also significant to the Shingon Buddhist school in Japan, whose founder Kūkai wrote a commentary on it, and to the various Tibetan Buddhist schools, where it is studied extensively.